Visigoths in Palencia! San Juan de Baños

San Juan de Baños
All photos in this post 2019 Jessica Knauss 

It might cheapen the effect to give you the money shot of this lovely historical building right at the top of the post. In reality, it's not something a casual traveler stumbles upon. Like most Visigothic monuments, San Juan de Baños is in a tiny locality not known for any other reason. I had to randomly hear about this, the only Visigothic church with a firm date, figure out where the heck Baños de Cerrato is, and then wait until I found a friend as crazy as I am about historical-themed road trips to take me there. Overall, there is a high risk of spending your time in the unique, fascinating small city of Palencia, never knowing what you missed.

San Juan de Baños has the feeling of being nowhere,
but it's right next to an industrial area.  

This church is in this location for a specific reason. In January 661, King Reccesvinthus was returning to Toledo from fighting rebellious Basque tribes in the north and feeling rather poorly, as you well might in the early Middle Ages. The cortege stopped in Balneos (now Baños de Cerrato) because someone had heard of the curative waters there. It had been a spa town since Roman times. Reccesvinthus drank the water and felt much better. This miracle inspired him to found a water/baptism-themed church in that very spot.

The original dedication stone is up high and decorated with sunbursts. 

The church still proudly displays the stone on which Reccesvinthus inscribed his dedication of the church:

A replica of the dedication stone is set where visitors can read it. 

"The precursor of the Lord, the martyr Saint John the Baptist, owns this house, built as an eternal gift that I, King Reccesvinthus, devout worshiper of your name, dedicated to you, by my own right, in the third year after the tenth as illustrious companion of this kingdom. In the year 661."

Water quality is not guaranteed. That didn't stop my friend! 

The fountain has fallen into disrepair and been rebuilt many times since Reccesvinthus's time, but the spring water has never stopped flowing. The latest reconstruction is from the 1940s, with two horseshoe arches that echo the architecture of the church.

Most of the stones here and especially the horseshoe arch
were put together in 661! 

The building itself is in a remarkable state of conservation. The bell gable was added in 1865. Apart from that, the only extant features that are not from 661 are the roof, the jalousies (lacy stone window panes that must be modeled on pre-Romanesque buildings I adore in Oviedo), and the floor.

The geometric floral friezes in the door will be echoed inside. 

Archaeologists took advantage of the rehabilitation of the floor to dig around and find many wonderful items that are now housed in the Museum of Palencia, such as Visigothic burials and a curious tile. It showed up in the excavations with an imperious hand print, giving rise to the legend that it was Reccesvinthus's way of signing the church he ordered to be built. Whosoever possesseth a hand that fitteth into the impression exactly shall be named new King of the Visigoths. As you can see, my friend is now King Daniel of the Visigoths. I tried too, but my pinkie was too short. The page pictured next to the replica says only that a perfect fit will give the hand's owner good luck. I guess they're not ready to hand the crown over, even though the kingdom no longer exists!

The main altar. The wooden roof is made to
look as it might have in Visigothic times. 

When you enter, the space is not large, but the simple lines of construction produce a sense of vastness. Horseshoe arches dominate the scene, proving that the Iberian Peninsula did not have to wait until the Arabs and Berbers took over in order to grace its buildings with this pleasing shape. We see them in the grand arch of the main altar, the windows, and between eight columns.

The guide says the lateral arches are slightly irregular, but you would really have to look to spot the flaws. The impression is of stately harmony.

The marble columns have been harvested from Roman villas that have long since disappeared. Most if not all the stones used in the rest of the church are also likely recycled from Roman buildings. In this way, the Roman legacy has come down to us today, only slightly altered.

The recycled Roman capital is right next to the main altar. 

One Corinthian column capital has been identified as a late Roman carving based solely on its style.

The other capitals are also Corinthian style, but the execution is less ornate. The guide seemed to think the Visigothic artisans were unable to produce the same level of detail as their direct Roman forebears. Having studied the purposeful simplicity of Romanesque art as contrasted with the complexities of the Gothic area, I appreciate the clean lines of the Visigothic capitals and believe the differences between them and the Roman one are due to taste.

I especially like this capital because the interpretation of the Corinthian pattern is so free, and because the diminutive four-petaled flower in the center inserts the new Christian symbolism into an ancient context.

Lest we think the ancient and medieval world was all bare stone, the guide was careful to point out the paint traces. Medieval people did not want to look at their construction materials in their finished edifices any more than we would want to stare at rebar or insulation. They filled their buildings with color and shapes! Here you can also appreciate the geometric flower friezes, repeated throughout the building, inside and out. Interest, focal points, horror vacui, it's all here, in this seemingly simple space.

In keeping with the baptism theme, San Juan de Baños boasts an ancient baptismal font, exactly the kind of thing I imagine Mudarra using in Seven Noble Knights. The lack of decoration makes it hard to date, but the guide said the best guess places it between the fifth and sixth centuries. Adults would have stripped down and stepped right in to be initiated into the Christian church.

A replica of Reccesvinthus's votive crown is hanging in the space it was probably meant for. I've seen the original at the National Archaeological Museum in Madrid and admired the fine metalwork and precious jewels. The sight of the replica in situ moved me deeply.

San Juan de Baños is consecrated, but is only used for visits like this and for weddings. It would be an exceptionally elegant place to say vows, in my humble opinion.

The foot of the church with the door
and the guide's station.

Palencia is the host of one more of these rare pieces of Visigothic architecture, and it has another legend attached to its founding, so check this space for more!