TheImp of Eye didn’t begin its life as a
collaboration. It started out as an idea my dear friend Moonyeen Blakey, a
fellow author who’d published award-winning The
Assassin’s Wife with Fireship Press in 2012. She had the idea after
researching a previous novel on Jacquetta Woodville, King Edward IV’s
mother-in-law. She had encountered a Marjory Jourdemayne, The Witch of Eye, who
along with the Duchess of Gloucester and others, was accused of witchcraft. A
perfect idea for a novel, she told me.
Moonyeen Blakey |
Mistress
Jourdemayne fetches me such a cuff round the head, I almost bites me tongue in
two.
‘You little imp.
Don’t try to cheat me again, Barnabas,’ she says, kicking the sticks I’ve
collected for the fire. ‘I know what the fishmonger asks for broiled carp.’
‘It was only a
groat’s worth of salt herring,’ I says. I sits, muttering by the hearth,
nursing a bruised knee from the stumble I’ve taken against the hearth fender.
Over the next few years the novel began to
take shape and changed direction occasionally. Moon shared her progress and
ideas with me and I gave my enthusiastic feedback. Unfortunately, Moon fell ill
with a second bout of cancer. She’d beaten cancer almost 20 years before and
this time we thought it would be no different, but we were wrong. In March 2014,
Moon died passed away.
Before she died, she asked me to take over
her writings, including the many drafts of her novel about Barnabas, one of
which was entitled The Imp of Eye. She
told me to do what I thought best with it, because she trusted me and my
writing quality. She knew I would honour her spirit and try to get the story
out to the public.
Kristin Gleeson |
I narrowed down the storylines to those two
main characters, which I felt also improved the tension and pace of the story. With
those two characters I was able to increase the attention and scenes for the
Duchess of Gloucester to show the splendour and intrigue at court as well as
develop the relationship between the Duchess and her husband.
Barnabas’s age always troubled me, because
he seemed too young at ten to handle all the challenges that were thrown at
him. I also wanted to hint at a growing attention to women. This seemed
important to me because I was really starting to adore Barnabas and felt he
could go on beyond this book. So I made him thirteen years old at the beginning
and fourteen at the end of it.
I also introduced and changed a few characters
to support the increasing number of plot twists better and also give Barnabas a
future in other books. For instance a jolly large blackamoor that was shades of
Ali Baba’s genie became an elegant scholar from the heart of African Timbuktu.
Barnabas’s friend Amice became Alys, the Duchess’ servant.
Expanded scenes in the palace meant more
research for the sake of accuracy, something I take seriously as a historian. I
had Moon’s research books and my own, added to my prior knowledge which helped
me in painting vivid scenes. One book I had a lot of fun with was a text on medieval feasts. I knew meals could be elaborate, but I was amazed at the
extent of dishes and entertainments that were provided. I couldn’t resist to
used it as a plot twist in the novel.
All the time I was writing I felt as though
Moon were at my shoulder, debating, discussing and directing. It was a unique
experience and in the end I have to say I fell in love with the novel and its
characters. The Imp of Eye, Book One
in the Renaissance Sojourner Series, was born. I think Moon would approve.
Look out for A Trick of Fate, soon to be a FREE novella ebook prequel on Amazon
and other ebook venders. And if you’re up for more free books, sign up for my
mailing list on my website and receive A
Treasure Beyond Worth, a free novella ebook prequel
of Along the Far Shores.
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