2021. At least it wasn't 2020, amirite?
I'm going to focus on positives in this post, as I do in real life. It's the best way forward, as I understand it.
In 2021, I found a couple of ongoing freelance editing jobs I'm satisfied with. I hope to continue for the foreseeable future with these companies, though freelancing is nothing if not unpredictable.
I published a work very particular and special to me,
The Atwells Avenue Anomaly. If you're bored with predictable love stories or science fantasy, take a look at this deeply felt tale of the pursuit of happiness! I published only after collaborating with the ultra-talented Shirley MacKenzie, who prepared four unique illustrations. These appear in full color in both ebook and paperback.
I was thrilled to welcome two Portuguese editions of my work into the world:
Casa na Árvore and
Mundos Imprevisíveis.
Although those two events would be plenty for a normal year, for more than two decades, I've been waiting for 2021 to have a big blowout in honor of Alfonso X, el Sabio's, 800th birthday.
And so, I visited his favorite city, Sevilla, to see
a play that integrated
cantigas to tell the story of the last years of Alfonso X's life. It was thrilling to see the historical people I'm usually thinking about at any given moment embodied in living, breathing actors, and to hear the
cantigas played with so much care and conviction.
I published a beautifully designed book with Encircle Publications that I've had in mind for more than two decades:
Our Lady's Troubadour, ten miraculously positive stories based on some of the
Cantigas de Santa Maria. This has been my main tribute to the 800th birthday. It's the result of double the blood, sweat, and tears, because it came out on the same day
in Spanish, the language Alfonso X worked so hard to establish as worthy of writing.
Once I got going on the stories, I couldn't resist writing an eleventh one. This one came out much longer because it's the "Byzantine novel" I've always anted to write. It tells the twisty-turny story of Beatriz, Empress of Rome, how for reasons beyond her control, she loses everything, and how she comes back from certain death to triumph because of her resilience and faith.
Empress of Misfortune is available separately in digital formats, and I hope to have a paperback edition available in 2022.
I had a fun and fruitful interview with Dr. Debra J. H. Bolton of Kansas State University about the importance of Alfonso's legacy and the wonders of the
Cantigas de Santa Maria.
A transcript of the radio show is available here, and the full interview audio will become available very soon.
I also had a dream come true when I seized the opportunity
to spend Alfonso X's 800th birthday, November 23, 2021, in Ciudad Real, where Eduardo Paniagua gave a concert with some members of Música Antigua, effectively bridging eight centuries so that the audience could feel what it was like to hear
cantigas in the court of Alfonso X.
 |
| Signing (sold out!) books in Zamora |
Because
Our Lady's Troubadour came out in Spanish, I was able to live out the dream of doing a book launch in Spain.
The first event was in my home town of Zamora. It was an unbelievable, unique evening during which I got to see one of my aims for the book--for more people to hear about Alfonso X's wonderful works--come true right before my eyes. The musicians and I practiced for months beforehand, and the people of Zamora were incredibly welcoming of me and my little book!
It wasn't captured on video, but when I came out in my thirteenth-century costume that looked like I'd stepped right out of an Alfonsine manuscript painting, the audience was delighted and seemed unable to stop applauding. It created a wonderful sense of anticipation, and I think the evening delivered on that promise. The bookstore had never seen such a crowd and we didn't have enough copies of the book to meet the demand!
A week later, I did a completely different
presentation in Burgos. I got to see my friend, Daniel, whom you know from this blog, after a year and a half. I have strong writerly ties to Burgos through
Seven Noble Knights, and honestly, Burgos boasts more connections with Alfonso X than Zamora. After doing an interview at the local radio station, the host took me to place I hadn't seen before: the ruins of a monastery where it's said Alfonso's traitor brother Simon was buried. The stereotype of the cold Burgosian was further given the lie at the presentation. There weren't nearly as many people as in Zamora, but those who were there treated me like the greatest thing since sliced bread, and I'm more than satisfied.
In spite of how well they went, I lost money at these two events due to shipping costs and the requirements of the Spanish government for me to sell physical books legally. All for Alfonso!
 |
An awkward selfie with an early printed version of the Siete Partidas,
which I studied extensively for Law and Order in Medieval Spain,
right there in Salamanca. Full circle. |
A last activity I was able to do in honor of 800 years of Alfonso X was to visit my old haunt, the University of Salamanca, to see a temporary exhibit of historical manuscripts. The trajectory illustrated the influences on Alfonsine historiography, actual Alfonsine manuscripts such as the
Fuero Real and the
Estoria de Espanna, and works about him by later generations as well as work directly influenced by the Alfonsine history workshop.
 |
| A thirteenth/fourteenth-century manuscript of the Fuero Real |
 |
| Fifteenth-century manuscript of Estoria de Espanna, part IV |
 |
Detail from fourteenth-century
Chronicle of the Kings of Aragon and Counts of Barcelona |
 |
Chronicle of Spain by Diego de Valera, printed 1517,
with a note from a reader showing passionate interest in Alfonso X |
One regret is that I haven't yet been able to get the Spanish translation of Law and Order in Medieval Spain out into the world before the end of 2021. It will come out sometime in 2022. Unlike King Alfonso, I do not have a team of translators, writers, and publishers working on my projects.
But, especially considering that the world was in the second year of a global pandemic and the healthcare, supply, and budget interruptions that accompanied it, 2021 has been replete with celebrations of different kinds, reflecting the wide variety of knowledge in Alfonso X's legacy.
It's 800 years later, and humanity is still dealing with issues of cross-cultural communication and acting without thinking. It's important to highlight Alfonso's ideals of accepting the contributions of all cultures and confronting challenges with considered wisdom and knowledge. If one additional person has been inspired to open their mind, I consider the main mission accomplished.
Happy new year!
