Kathleen Flanagan Rollins is the author of Misfits and Heroes: West from Africa and
Past the Last Island, the first two books
in the Misfits and Heroes series on ancient explorers. Today she tells us about the epic journey she took in order to create the series and the real journeys she's basing the books on.
The
differences between the two books
Actually I wrote most of Past
the Last Island before I wrote Misfits
and Heroes: West from Africa, but when it came time to publish one of them,
I felt Misfits and Heroes: West from
Africa was in better shape, so I went with that. Also, I felt it was
“meatier,” especially with the African story-telling included.
In any case, I rewrote 75% of the book trying to improve it.
Then I became addicted to editing. I deleted a whole section (about forty
pages), shortened almost every chapter, and moved and reworked other chapters
repeatedly, not always for the better. After almost a year of that, I realized
the endless editing wasn’t really helping, so one night I declared the book
finished, though it still carries traces of edits on top of previous edits. A
minor character in the Albert Camus classic The
Plague wanders through the novel coming up with different variations of a
single sentence describing a girl he saw, but it’s never quite right. I suspect
that was a reflection of Camus himself and perhaps every serious writer. However,
as my sister, a professional artist, said, “There comes a time when you stop
working on it and sign it.”
Emotional
and physical misfits
The main characters in Misfits
and Heroes: West from Africa are emotionally scarred, some through personal
tragedy and some by events they’re forced to witness. Several of the characters
in Past the Last Island are physically flawed. Nulo is a dwarf. Aeta is a “short
person.” Hao is a hunchback. Half of Sula’s face is crushed in. Each becomes
both a gift and a liability to the group. Nulo is a dreamer, useful for
warnings of disaster but limited as a fighter. Hao is a navigational genius but
emotionally unstable (based on Magellan’s original navigator who was so
unstable he wasn’t allowed to join the expedition even though he’d planned out
most of the voyage). Aeta is haunted by the belief that she carries death with
her, and perhaps she does.
Despite these flaws, the group becomes as close as
family during their impossible journey across the open sea. It’s only after
they arrive in the New World, at the end of the book, that the group begins to
fall apart. Some readers find their relationship too “nicey-nice,” but I wanted
the opposite of The Lord of the Flies.
If you found yourself in a world with no wars, no political boundaries, and no
other people competing for amazingly abundant resources, how would you react? Wouldn’t
each person become more valuable because there were so few? Perhaps that rarity
would also color the relationships between men and women. These characters are,
in some ways, the innocents.
In the third book of the series, the two groups meet. More
accurately, more than the two groups meet, and things get very complicated. In
the fourth book, a group from what is now northern Spain joins the others. This
group brings the Solutrean Age technology, especially bifacial points and
atlatls (spear throwers), eyed needles, painting and textile decoration, as
well as a lot of trouble. The two main characters are definitely not too nice.
So that’s the mix so far.
And
what’s the thread that binds all of these?
Despite their differences, which are many, all of these characters want very much to make a new life somewhere else, yet once they get there, they realize it’s not enough; they want to meet others. No one group is large enough to flourish on its own. So they seek out other people, but they bring more than themselves to the meeting. New languages, new cultures, new perspectives, new diseases, new problems are also part of the mix. The thread that binds them together is that they are all heroes, not because they have super-powers or because they’ve always been applauded as champions but because they rise to each challenge they face, even the ones that require forgiveness. That’s why I like spending time with them.
Despite their differences, which are many, all of these characters want very much to make a new life somewhere else, yet once they get there, they realize it’s not enough; they want to meet others. No one group is large enough to flourish on its own. So they seek out other people, but they bring more than themselves to the meeting. New languages, new cultures, new perspectives, new diseases, new problems are also part of the mix. The thread that binds them together is that they are all heroes, not because they have super-powers or because they’ve always been applauded as champions but because they rise to each challenge they face, even the ones that require forgiveness. That’s why I like spending time with them.
As
it turns out, 14,000 years ago is not that long ago
I find ancient explorers fascinating, but I’m learning that
my novels, set 14,000 years ago, couldn’t possibly deal with the oldest
explorers. New research shows that people, or at least the ancestors of modern
humans, were finding their way to what is now England 500,000 years ago! Hominids
were hunting with spears topped with worked points 460,000 years ago! Controlled
fire? Over a million years ago. First jewelry? 82,000 years ago. First mixture
of paint? 80,000 years ago. (Check
out the Misfits and Heroes blog for more of this, with sources).
Even
in the Western Hemisphere, we know that one of the earliest human settlements
in the Americas was at Pedra Furado in eastern Brazil, which has been dated
between 33,000 and 56,000 years ago. In the layer dated 33,000 years ago,
archaeologists found pieces of pottery and examples of rock art. What’s closest
to eastern Brazil? West Africa. In fact, in 2012, a young woman rowed from West Africa to South America,
solo, in 70 days. So, with the
currents and prevailing winds, the Senegal area seemed like a logical choice
for some of the early explorers in Misfits
and Heroes: West from Africa. Also, early Olmec art features gigantic
basalt sculptures of very African-looking individuals. Perhaps Mesoamerica saw
several migrations from West Africa.
However, there is also a very strong Asian and Pacific
Island look to Olmec art, so in Past the
Last Island, I imagined the greatest open water navigators in the world
crossing the Pacific Ocean and ending up in the New World, just across the
Isthmus of Tehuantepec from the group from West Africa. That combination may
well have sown the seeds of the greatest civilizations of ancient Mesoamerica.
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