The story on which I base Seven Noble Knights contains many historical figures, but the existence of Ruy Blásquez and Doña Lambra has not been fully verified, perhaps because no one, even today, would welcome the possibility of being associated with such vile traitors.
Ruy Blásquez is even a little hard to define as a part of the statue of his wife in Barbadillo |
The crime is all the worse because it's an assault on the family of Doña Sancha, his sister. There are few stronger blood ties at this time in history. An uncle is expected to take on an almost nurturing role, ensuring that his nephews realize their potential, especially on the battlefield, and for this surrogate father to actively seek their harm smacks of taboo. Additionally, Ruy Blásquez's close association with powerful Muslims taints him in the eyes of his Christian neighbors. His actions betray not only his blood relatives, but also the Christian faith.
Although I tell the story from many different points of view in my novel, Ruy Blásquez’s actions are so hard to understand that I dared not take a seat behind his eyes. The source material writers seem to have felt the same taboo. They make an effort to distance the audience from Ruy Blásquez, referring to him as I do here, always with his first and last names, and usually appending “that traitor” or calling him simply “the traitor.” I took a more subtle route: I made him slippery, hard to get a handle on in general, so that his incomprehensibility in the betrayal is somewhat believable. The reader is left to conjecture that his wife, Doña Lambra, made him do it.
The author couldn't help grinning with the statue of her villainess in Barbadillo |
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