Gabriel García Márquez had a good, long life.
That’s what I tell myself to escape the abysmal sensation
that the world lost a great writer one week ago.
I first read One
Hundred Years of Solitude in high school, followed by other astounding
novels and short stories throughout college, picking up the original Spanish as
I was able. I already knew I was a writer by that time, but these stories
influenced my work much more profoundly than almost any
other book. In spite of my tendency to best appreciate things from 400 years
ago or more, one of the most pleasurable things about reading García Márquez’s
work was that he was still alive and
therefore available to create more of these unique stories. He was unable to
write during his final years, but now it’s certain: no other literature or
Spanish students will get to enjoy that sensation of more to come.
Such sentiments were already on my mind for more personal
reasons. At the end of March, the dear lady who wrote under the name Moonyeen
Blakey passed away after a battle with cancer. I edited Moon’s first book, The Assassin’s Wife. Although I knew she
wasn’t well, I fully expected her to recover. I still feel unpleasantly
surprised. I had hoped someday to visit her in her quaint seaside town in
England and it seems impossible that I will now never meet her. As a compliment
to her artistry, I also sorely feel the loss of the other great books she didn’t
get the chance to write.
Art is eternal, but life is fleeting. We must create, enjoy,
and connect with others while we can.
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